Review: Miss Julie, Greenwich Playhouse

With a sparse set and only three actors for the duration, the emphasis is firmly on the trio and how they interpret this tragic tale by August Strindberg.

Initially, it's Julie (Amy Jayne Davis) calling the shots, seemingly in control of her gentle flirtation with servant Jean (Daniel McLoughlin).

Davis is confident in the role, revelling in the self-centred nature of the character who defines everyone in her world by how they relate (or have difficulty relating) to her.

Playful and conceited, Julie is a product of her environment and Davis manages to infuse her selfishness with an enticing vulnerability.

Although it's predictable that he is going to be enticed, McLoughlin's Jean is a refreshing mix of obligation and resentment.

After a short while, once he has established that the relationship is destined to become more than master and servant, the way he exerts his strong character, flying in the face of social constraints, is uplifting.

Of course, the optimism is fleeting, but it's the strongest part of the production in which Jean presents a convincing argument that personal circumstances can change.

But, like a gloomy ghost of conformity, his intended wife looms on the periphery, excellently portrayed by a rigid Lucinda Westcar as Kristin.

Jean's ambition is matched by Kristin's resignation.

The depressing way in which she is ever-present on the scene, but frequently turning a blind eye, is a perfect reflection of her general disposition - cold, sorrowful and obedient.

Although on opening night they rushed their lines nervously at the beginning, once the cast relaxed, the production came to life.

This is the first outing by Elevate Theatre Company and, like its name suggests, the company demonstrates that its star is in the ascendancy.

Miss Julie by August Strindberg, adapted by Frank McGuinness runs until September 19.

Go to galleontheatre.co.uk