Theatre review: Well

Ostensibly a "play within a play" about the relationship between Kron, played by Greenwich resident Natalie Casey, and her mother, acted with relish by stage and screen veteran Sarah Miles, Well becomes rather more than it at first seems.

Dealing with the characters' physical ailments, and how they have shaped their lives and relationships, Kron has produced what she describes as a "theatrical exploration of universal experiences".

With the aid of some hired actors Kron puts on a play to try and illustrate episodes from her life while her mother looks on from the armchair to which illness has consigned her for much of her time.

Some clever plot turns lead to the deconstruction of the scenario as the hired help become more interested in listening to mother than being directed by daughter. It all builds to climax that throws up a surprise or two.

One or two of the subplots are a little undercooked. Miles' character is painted as a tired, yet tireless, worker for social integration in 1960s America but the theme does not feel fully explored by the time the curtain descends, while Kron's childhood neuroses are fitfully dealt with.

But this is still a play worth seeing, managing to be both amusing and moving in equal measure.

There are fine performances from all the cast, particularly Casey - who sparkles in a demanding role - and the venerable Miles, while the supporting actors, featuring Green Wing's Oliver Chris, all deliver.

Well runs at The Apollo Theatre until January 24. For tickets visit www.apollo-theatre.co.uk.